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[breaking news website] The second master class of the 5th Hainan Island International Film Festival

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  This 惊爆资讯article is transferred from: Sanya Daily

  The second master class of the 5th Hainan Island International Film Festival

  Cross -border master Liu Zhenyun: The silent torrent changes the sound of the sound

  

    • Liu Zhenyun was at the master class.Reporter reporter Li Xueshi

  Reporter Feng Chenyang

  On December 20, the 5th Hainan Island International Film Festival ushered in the second master class. The famous Chinese writer and screenwriter Liu Zhenyun and the guest hosted Liang Zhi to talk about it.The theme of the two discussed Liu Zhenyun's artistic life with the theme of "silent torrents".

  Liu Zhenyun's artistic career is full of legend. He has a cross -border identity. He is a writer, scholar, and a screenwriter.His words rarely use adjectives, humorous language, full of clever ideas and philosophy, and have four or two pensions.

  Liu Zhenyun's works were translated into more than 20 languages such as English, French, German, Italian, and Swedish.Among them, "One Sentence Ten Thousand sentences" won the Eighth Mao Dun Literature Award.In 2018, Liu Zhenyun was awarded the "French Ministry of Culture's Republic of France's Literature and Art Cavaliers Medal" by the French Ministry of Culture.

  "No one has planted me from a young age" the seeds of literature "

  A jacket, a pair of sports shoes, and a thermos with hot tea, Liu Zhenyun sat on the sofa chair to interact with the host.It's not slow, say a while, drink a hot tea, and talk about his writing road leisurely.

  "I am a rural child. Our village has planted the seeds of corn, the seeds of wheat, and the seeds of cotton. The seeds that I have not planted me.It turned out to be a desert. "Liu Zhenyun said.

  Liu Zhenyun was born in Yanjin, Henan, and gave him a land inspired by him.He won the novel "One Sentence of Top 10 Thousands of Sentences" by the Mao Dun Literature Award, as well as earlier "Wan Zhen 1942" and "The Yellow Flower of the Hometown of the Hometown".Liu Zhenyun is familiar with everyone in the village, familiar with their laughter and crying, and also familiar with the dust in their wrinkles.He can vividly imitate the cousin of his cousin who is a muddy craftsman, and he can also recall the raw materials used by self -made barbecue in cornfields in childhood.

  "I have gone to all parts of the world now. Those who have read my book say that I am a humorous person. In fact, everyone in our village is more humorous than me.Advanced. "Liu Zhenyun said.

  "What makes people progress is not to get anything, but how many regrets and defects have left."

  Liu Zhenyun was far from his hometown at the age of 14 to serve as a soldier. After the college entrance examination was restored, he was successfully admitted by the Peking University School of Arts with the firm will of his strong will.

  "I was particularly good in middle school. I should have become a mathematician, and now I should bring doctoral students at Princeton University." Liu Zhenyun bluntly stated that sometimes people's fate is not determined by themselves.Change a person's destiny.

  "Which work do you think is better?" Liang Zhi asked.

  "Everyone is not well written, I am not humble." In the face of this question, Liu Zhenyun became serious.He said that when writing, he made every effort to write, but after many years of review, you will still find that there are poor writing places, and there will always be regrets.What makes people progress is not what you have achieved, but how much regrets and defects you leave, this can promote the next work to write better.

  "Good movies are seen in the characters in the work, and the world's heart world."

  When it comes to the differences between literature and movies, Liu Zhenyun has his own unique insights.He said film, life, and literature are a relationship of quantum entanglement.When I first wrote things and filmed a movie, I felt something to say, and wanted to tell everyone what.But with the deepening of writing and shooting, you will find that what you say is actually not important, and what the characters in the work say are particularly important.

  "A good movie is actually invisible to the director, the camera cannot be seen, and the actors cannot be seen. What I see is the characters in the work, and the world in the heart." Liu Zhenyun said that film screenwriters and writers are two completely different occupations.The film requires fast rhythm, but this fast is a fatal disadvantage for novels.In addition, the requirements of the story for the story are sometimes more rigorous than the novel, and the regularity of the movie is stricter than the novel. Of course, the subtlety in the novel is not reflected in the movie.Good movies need good actors. A tacit understanding and brushes that are raised by a good actor, a tacit understanding and brushes that can be described by thousands of words.

  "I am not a master, because there is no master in the world. Those who claim to be a master must be ignorant and support myself by racks. How vanity is in my heart, my favorite is rustic." Liu Zhenyun said sharply.

  "Let AI write novels and think again"

  With the rapid development of artificial intelligence, "AI" has become one of the hottest topics.At the scene, whether artificial intelligence would have an impact on literary creation, it also conducted a warm discussion.

  "AI is very interesting and can replace many humanity and even some thoughtful work, but it is processed based on the collection of knowledge and information, and literary works are exactly to give up the past and create a new thing and new cognition. So AI AIThere is no problem with chess in international chess, so I have to think about AI to write novels. In this way, I call AI a phone call and listen to its thoughts. "Liu Zhenyun said, and the laughter continued.


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